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How To: Hot Peel Transfers

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This is a step-by-step guide for screen printing and heat pressing hot peel transfers. If you currently screen print directly to the fabric, you can easily print one-color transfers without investing in a lot of equipment or supplies. If you plan on screen printing transfers regularly or diving into two or three color transfers, I recommend buying a vacuum platen or a flatbed graphics press.

Don’t make the mistake of confusing hot peel with hot split transfers. This is a very different process. Hot split transfers use an uncoated paper and very specific hot split ink. Hot peel transfers use a coated paper and the majority of the ink will transfer to the fabric. This is better for opacity and bleed resistance. Also, hot peel transfers are great for athletics.

Shopping List

  • Hot peel paper (we recommend Perfect Print by Midwest Lettering)
  • Transfer powder (not necessary but recommended)
  • Hot peel ink (discussed below)
  • Thermolabels #4 (240ºF to 280ºF)

Ink Selection

This is where it gets touchy. Many inks are capable of hot peeling…off the right paper. The easiest thing to do is to purchase our 380 or 388 Series inks for use as a hot peel ink. These inks should perform on all hot peel paper. However, if you have time to test, consider some of our universal inks such as Bravo Flex or Smart Series as they perform wonders on many different styles of hot peel paper. This will be great on 100% polyester applications.

Keep to one ink series. Different inks may gel quicker/slower than others. Sticking with one ink series will make the gelling process much simpler.

Screen Prep

Expose the screen with the art work reversed (mirror image). Remember, you are turning the transfer over to heat press so it needs to be backwards. Choose an 86 count monofilament screen. You cannot print, flash, print on transfer paper so ink deposit is critical. Also, thin ink deposits applied by a heat press will typically not wash well. 110 count monofilament screen mesh is acceptable when you need better detail.

Prepare the Press

If you own a vacuum platen, connect the vacuum and find the spot to place the transfer paper. I usually use a thick tape to create a corner to place the paper into. This will make all of the transfers line up in the same place. It is much more important with multi-color transfers but that is a different class.

If you do not own a vacuum platen, simply spray mist adhesive lightly onto a clean platen. You need the paper to be flat so no fuzz should be on the platen. Your prints will suffer otherwise.

Prepare the Dryer

Place a Thermolabel #4 on a piece of transfer paper and send it down the dryer. 250ºF is the perfect temperature to gel the ink. You only want the ink dry to the touch, not cured to the paper. This is the most important step of the process. If you over-gel the ink and do not use adhesive powder, the print is likely not going to adhere to the fabric. 240ºF to 260ºF is acceptable.

Printing

Flood the screen with plenty of ink and pull the squeegee once. Sometimes you can pull the squeegee a second time but be sure to keep consistent pressure. Also, if you print too thick, this will cause problems on the edge of the print and you will get a lot of buildup on the back of the screen.

Multi-Color Prints

It is highly recommended to preheat the transfer paper as it may shrink or curl a bit, causing registration issues. Get this out of the way first by sending all of the paper down the dryer before use.

A vacuum platen or flatbed graphics press is highly recommended for multi-color print. After each color you will send the paper down the dryer to gel. You need the ability to line up the paper exactly where it was with the previous print. Some people draw lines.  I use thick tape to create two corners. Other printers drill holes in the paper and use a peg system. Whatever it takes to keep the paper in the same spot with each print.

Print in reverse order. Your underbase is printed last. If you are using transfer powder, the underbase must cover the entire art work. The transfer powder will only stick to the wet ink.

Powder and Gel

You don’t have to use transfer powder. I think you should…but you don’t have to.  Transfer powder has many great features:

  • Dummy-proofs the process. With powder, a cold peel transfer is likely to wash well regardless of your gel temperature.
  • Prevents dye migration.
  • Depending on the powder (there are many different types), you may increase the stretch of the print.
  • Far more durable with the powder.

Apply the powder to the wet ink. This can be done many ways. Pour it on, sprinkle, lay the print in a bed of powder, or pull the print through a pile of powder. Whatever works for you works for me. However, make sure you “tap it off”. All of the transfer powder needs to come off the paper where there is no ink. Otherwise, it will transfer to the fabric and leave a hard-to-remove stain. Tap it on a table, flick the paper, or blow it off with canned air.

Now you can send it down the dryer to be gelled.

Heat Pressing Instructions

Hot peel transfers should be pressed at 375ºF for 8 seconds, firm pressure. Firm pressure as measured with a Hotronix heat press is 7 or 8 on their gauge. Wait 1 or 2 seconds before peeling the transfer, especially if you applied transfer powder. You don’t want to peel before the glue has cooled off just a bit.

Extra Tips

Even pressure is critical. If you have a collar or a thick seam on the heat press platen when you press, this is where the pressure is being measured. The transfer needs to receive the firm pressure. Obviously, you can’t always avoid this. In these situations, use a heat press pillow. You can either tape it down to the platen or place it inside the t-shirt. Either way, it will allow for even pressure when seams or collars are unavoidable.

Author: Robb Mears

Director of Product Development with One Stroke Inks.

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